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Programming with a Paintbrush
Richard Wright
A comparison of two highly contrasting designs of artist’s moving image software - Quantel and Adobe After Effects. This detailed critical essay analyses how a creative practice is constructed not through the technical definition of the software nor its visual design but its “techno-aesthetic” – the cultural models and encoded subjectivities by which a system’s unknown technological potential is realised as an artistic practice. Illustrated.
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keywords: design-interface-hardware-criticism
category: text - software art related/cultural critique of software
uploaded by Futurenatural, 02 Apr 2003
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